I watched something on television earlier in the week about Josef Herman, the Polish born artist who settled in South Wales where he produced iconic paintings depicting the lives of miners. The presenter and his interviewees, who included actor Michael Sheen, were full of nostalgia for the lost communities of the heyday of Welsh industry. I could not help recalling earlier works like “How Green Was My Valley” and “Rape of a Fair Country”, which deplored the destruction of the landscape brought about by industrialisation. It struck me then, how misguided is our love of nostalgia.
“How Green Was My Valley” has been exposed as a fraud, a novel written by an Englishman whilst serving in the British army in India and turned by Hollywood into a sentimental movie that created “a myth, a never-never land of pristine innocence ruined by the discovery of coal. His myth has generated more myths, of pits and singing miners and explosions, but it’s a good yarn.” [Meic Stephens, creative writing lecturer at the University of Glamorgan, quoted in an Observer article in 1999]
Last evening I attended a concert by The Black Family. For those who may be unfamiliar with this group of Irish musicians and singers, it consists of five siblings who achieved considerable success in the 1980s before going their separate ways as solo artists. Few will not have heard of either Mary Black or Frances Black. Once again, we were into the realms of nostalgia doubled; for the audience the songs with which the Black siblings achieved their original fame brought back memories of their own youth, whilst the songs themselves often recalled even earlier periods in Irish history, especially growing up in inner city Dublin in the 1960s and holidays on Rathlin Island, where their father was born.
All this reminded me, too, of that Python sketch in which three men vie with each other with stories of childhood hardship in working class homes.
Our whole political discourse seems to be imbued with this kind of false nostalgia. Britain’s decision to exit from the European Union was driven by it. The appeal of Jeremy Corbyn’s rhetoric is in large part because it harks back to an age when the gap between rich and poor was less marked than today. That, too, is something of a myth. It is true that the gap has widened significantly in recent decades but that was after a rare period of narrowing. Compared to, for example, Victorian times, the poor throughout the developed world are immeasurably better off than they were. Much better off in fact than the characters depicted in either of the novels referred to above.
Even terrorism, such as that which erupted in Manchester at the start of the week, seems to be driven by nostalgia; a desire by misguided young men to return to a time when people were cowed into obedience to a god who required them to deny their natures, when women knew their place as the chattels of men and those who dared to resist were subjected to humiliating punishments.
The truth is that you can not turn back the clock. The past was never as rosy as it is sometimes painted and was often a dark place where evil reigned supreme.
Vast numbers of people are far better off than their ancestors. Much of the prosperity we enjoy has been bought by mortgaging our future, by much greater environmental damage than either Richard Llewellyn or Alexander Cordell could ever have imagined. By all means let us learn from the mistakes of the past, but let’s stop looking back and remember that the future belongs to our children.
2 thoughts on “Saturday Sound-off: The False God of Nostalgia”
Well said, Frank! I agree when you say:
“The truth is that you can not turn back the clock. The past was never as rosy as it is sometimes painted and was often a dark place where evil reigned supreme.”
“Making America Great Again” has the same misguided nostalgia for a period when blacks were suffering under racial segregation and faced lynchings.
I guess it all depends upon which side of the valley one stood.
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