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That headline is an often used Irish colloquialism that means, roughly translated, “because today is an important anniversary”. And what anniversary could be more important as we face the growing threat of rising Fascism across Europe once again.
Apparently the UK government is preparing for the possibility of riots by extreme right wing factions in the event of a second referendum that might result in a reversal of the ill-informed June 2016 decision by 37% of the electorate to take Britain out of the only international organisation that has held the peace between the forces of communism and Fascism for most of my lifetime.
Meanwhile similar movements are on the march in Poland, Italy, Germany, Austria and France. And all are fueled by fear of “the other”, just as was Hitler’s rise to power and the acceptance of the “final solution” – elimination of “the other”.
Several things recently got me thinking about the difficulty of creating solid, flesh and blood and sympathetic characters, even when those characters do things that you can never imagine yourself doing.
The first was an interview with John Boyne who has done it time and again in his novels. The next was starting to read Milkman, this year’s Man Booker prize winning book. I have so far only read the first 50 pages, but already it is teaching me things about our recent history and about the craft of writing from deep inside the head of a character. Set in Northern Ireland during the 1970s it appears to be an indictment of the stifling masculinity and the paranoia that drove the violence on both sides of the sectarian divide.
The second thing was this article by a woman film maker about the way men portray women and her admiration for two movies in which women have, in her opinion, successfully portrayed men.
When I think about my own writing I can’t escape the conclusion that too many of my characters are merely poor reflections of aspects of myself. But I also think that the problem of men portraying women, and vice-versa, is just one facet of a much more complex problem: can a heterosexual accurately portray a homosexual? A white middle class person a poor immigrant? Any of us any other person’s deep inner personality and thought processes?
It is important because the narrative arts – theatre, film and literature – are the windows through which the rest of us are enabled to experience the lives of others. If those lives are miss-represented then it creates the cultural attitudes that drive some men to behave inappropriately toward women or certain politicians to spread fear of migrants seeking a better life. And, conversely, it is the way that better life is portrayed in the media that attracts those migrants in the first place.
I’ll say no more, but hand you over to Joey at:
My thanks to Sally Cronin for featuring Strongbow’s Wife on her blog, along with an excellent review.
For anyone that’s interested, there are two ways in which the Strongbow story connects with Archbishop Becket. Both he and Henry II were close friends with the Bristol merchant Aoife’s father first turned to for help in regaining his kingdom. And, once Beckett had been murdered in Canterbury Henry felt the need to atone. His mission to Ireland, suggested by the Pope some years earlier probably seemed like a good way of doing so.
I’m planning a live launch of A Purgatory of Misery next month. I created a Facebook event and have been putting up daily posts about Irish history.
I was going to repeat them here but I hit on a better idea. A quiz!
If you know the answers it won’t take you long. If you don’t, you will find them over on the event’s FB page.
Unfortunately it’s not interactive. I’ve researched several quiz widgets but WP requires me to upgrade to the business version in order to install them.
Here are your questions. You can enter your answers in the comments if you want to show off.
- Workhouses were introduced into Ireland by the 1838 Poor Law (Ireland) Act. How many were built in this first phase?
- The book launch is to be held in a former workhouse. It is one of how many additional workhouses that were authorised for construction during the famine?
- The book’s title is taken from a speech by whom?
- 1848 saw rebellions across Europe. What was the name of the Irish man who led the Chartist rebellion in England?
- My co-author’s ancestor was one of how many orphan girls shipped from the workhouses to Australia?
- One of those girls is an ancestor of which former Australian Prime Minister?
- Name the Island off the coast of England where St. Patrick founded a religious community.
- What is the title of my historical novel based on the Norman invasion of Ireland in the 12th century.
- In which century did the brother of a Scottish king invade Ireland during an earlier famine?
- Name the English poet who took part in the bloody siege of Smerwick.
All the answers can also be found, along with many more shocking facts, in the book. If you can’t get along to the launch – and I know most of you are too far away – you can download the e-book here for Kindle and here for all other e-readers.