Home » Posts tagged 'Indie Author Support'
Tag Archives: Indie Author Support
My latest ‘date’ is with Chris-Jean Clarke. Chris lives in South Staffordshire with her husband, Geoff, two teenagers and their adorable Papillion, Romey, who enjoys spending a few hours a week putting a smile on the faces of the patients at their local mental health hospital – Romey is a Pets as Therapy dog.
I asked first about her book Honesty in World War 2, originally published in 2016 and recently re-released.
“Honesty in World War 2 was inspired by an event that happened to my father following his National Service.
Prior to putting pen to paper (or finger to keyboard), I spent numerous hours researching and double-checking facts and stories told to me and my siblings by my mum about her experience of the war years. – She was only seven years old, when the war ended. – My mum inspired a number of events in my story. For example, my mum used to be a Tomboy and loved climbing trees. She bet the local boys that she could climb higher than them. On the positive side, she succeeded in her quest as she fell, bringing the branch down with her. However, on the negative side, she gashed her leg on a barbed wire fence. She often showed us her scar and was proud that she didn’t have any stitch marks, which she attributed to my granddad (her father) using a cobweb on the wound. In my story, twins Simon & Samuel (two of the evacuees) are playing by the brook when one of them has an accident. – Having been brought up in the city they not only struggle with living in the countryside, but would rather create mayhem than attempt to fit in. – Imagine their horror when Cyril’s mum starts to bandage a cobweb to the wound on Simon’s leg, especially as the villagers had already tied a pig’s lung to their younger sister’s feet to cure her of Pneumonia!
Although, Honesty in World War 2 was taken down from publication for a short while & has since been re-released, this was due to personal reasons. I promise the story has not been amended since 2016.”
Next I asked her about To Dye For and the Books4Kids programme for which it was written.
“PS Publishing and the Books 4 Kids program is a 501c3 non-profit corporation with a mission to “build children’s character through books.” The B4K brings authors to the classroom – in person or through electronic conferencing. The author reads from his or her book, answers student questions and then leads a discussion re. the moral of the book. – The moral behind To Dye For is self-esteem. – At the end of the discussion each child receives a free copy of the book.
To Dye For opens with Beth, a year-ten student daydreaming about fellow student, Mikolos (“Mike”) Samaras. However, thanks to the antics of Jenny Parker and Shelly Barnes, Beth truly believes that she doesn’t stand a chance with a guy like Mike – because she has red hair. Unwittingly, Mike also reinforces this notion by frequently teasing Beth about her hair. Beth becomes so despondent about her appearance that she decides the only way to solve her problems, is to emulate her younger sister’s beautiful locks and dye her hair the same shade as Grace’s. – After all, Grace is adored by everyone and has stunning strawberry blonde hair.”
Chris is a member of the Peacock Writers, a group of eighteen independent writers from around the world.
“Each of our anthologies are written around a given theme. 100% of the profits from the sale of these books are donated to aid various charities.
I have contributed to nine books, so far, but the book I would strongly recommend is: Springtime Bullies: Special Illustrated Edition (The Peacock Writers Present) (Volume 6)”
Before becoming a writer Chris had a long career working with people with disabilities. I asked her how that experience influenced her writing projects.
“Many of my stories have at least one secondary character who has a disability or special need.
For example, Beth’s sister, Grace in To Dye For has Down’s syndrome. Whilst, in Honesty in World War 2, Malcolm a veteran of the first world war, is slightly senile, and in a way childlike. Whereas, Graham is severely scarred and has walking difficulties – these injuries were incurred when his family home in London was bombed during the war.”
Chris doesn’t have “the luxury of having a quiet space to write, but that’s okay because I know deep down that if my family were to fly the nest, I would just waste the hours stressing about them, instead of writing.”
When it comes to editing, illustration and cover design, Chris uses a range of specialist services.
“To Dye For was edited by my publishing company, PS publishing and the Books 4 Kids program. They also commissioned an illustrator for my cover design.
Honesty in World War 2 was edited by Valerie Byron, author of No Ordinary Woman and other works. Trish Reeb, author of Death by Default and other works, proofread my manuscript. The online community at BookRix & LinkedIn encouraged me to work and rework my opening chapter to create the atmosphere and mood of the train station. (Initially, I had only intended the first chapter to be written in a couple of lines, as I wanted to swiftly move into Cyril’s story. Instead, Cyril’s story starts in chapter two.) Another member at BookRix created my cover for me, by manipulating Emily Roesly’s images. (NB Approval was sought from and granted by Ms. Roesly, author of Whispering Water and other works.) Sharon Brownlie, author of Betrayal and other works reformatted my cover, so that I have the option to have it published as a paperback or hardback copy, later this year.
My books for the Peacock Writers anthologies are edited as a group effort. – We read each other’s stories and offer each other tips. One of our members, Laszlo Kugler, author of Whisper and other works, creates most of our cover art.”
Chris promotes her books at BookRix, LinkedIn, FaceBook & Twitter.
“More of my books have sold since I have been active in FaceBook’s promotional groups, geared to drawing writers and authors together.
However, the other platforms have also been beneficial to me in their own right. In addition, to the support at BookRix community, their system converts our files so that our eBooks can be purchased from all of the major online stores. Trish Reeb, reached out to me via Twitter & offered her free time to proofread Honesty in World War 2. This story has also attracted interest at LinkedIn from a publishing company seeking autobiographies, and an indie film script writer.”
When I asked about writers whose work she admires, she nominated Doug Simpson, author of Soul Awakening.
“[He] is my inspiration. Although Simpson’s story is fictionalised, it is based on his belief that it is plausible for a person to have lived previous lives, whilst still holding fast to, and respecting, the religious belief that there is a heaven (or hell). It gave me great peace of mind to think that I may become acquainted again with family members who have passed on before me, and I don’t need to wait until I die before I will be able to chat to them again.”
As usual I wound up our discussion by asking Chris to reveal something about herself that might surprise her readers.
“Approximately 65% of my employment, took me from mundane to far flung places. One day, I could be cleaning/tidying bedrooms & bathrooms, wiping bums or cleaning up vomit, and the next I could be shopping for clothes or Christmas/birthday presents, eating out/going to the pictures or going on day trips/holidays in England and overseas.”
I enjoyed my date with Chris Jean Clarke and, now that I have shared it with you, I hope you did to.
My latest date with an indie author arrived a bit late, but was well worth waiting for, as I am sure you will agree. I am grateful to Sylva Fae for interrupting her holiday to answer my questions.
Sylva grew up in Lancashire where, “[If] there were hard times for my parents . . . they kept them well hidden from me and my brother. I had a simple but fun childhood, and I look back with fond memories. My parents were artists who had a love of travel and the outdoors. My dad especially loved travelling and would prioritise holidays abroad over buying expensive toys etc – he wanted us to experience new places and learn about other cultures first hand. My mum was the driving force behind buying a farm, which became a sanctuary for injured wildlife and unwanted pets. When not chasing hens and goats out of the house, we often went on adventures around the local moors and would play in the fresh air while my mum sketched the landscape.”
She now lives in Cheshire and owns a woodland in Shropshire. I wondered how that came about and what were the pros and cons.
“When my eldest daughter was a toddler we booked onto a supposedly child-friendly campsite. It turned into a nightmare of rules and regulations with tents regimentally spaced in a crowded field, then there was a horrendous rainstorm! Faced with keeping a rowdy toddler entertained in a tent, we gave up and came home. We had envisaged a relaxing camping experience, sat around the fire as the sun went down, space for our daughter to run wild and have fun, but instead we got the opposite. With a little research, we discovered that there were companies selling plots of woodland. We spent the summer pottering around different sites, until we found our vision of the idyllic woodland camp, hidden in the Shropshire countryside.
Everyone thought we were mad buying a woodland, and they’re probably right but we love it.
We have created a camping area with a fire pit and benches, that is enjoyed by many of our family and friends. Our three girls have the opportunity to experience a little of the childhood we had. They run wild, climb trees, make dens and have learned to cook on a campfire. It’s great to get them playing and learning new skills in the fresh air rather than slaves to technology, like so many other young people nowadays.
Drawbacks? None that I can think of. The woods provide us with a safe place to camp, fuel to heat our house over winter, and as an investment, the value of the land has more than doubled in the nine years we have had it. The only thing I wish was different is that we’d done this years earlier.”
When I asked her about the challenges involved in her past career as a teacher of children and young adults with special needs, she explained how she “fell into this line of work quite by accident, mainly because most of the other teachers were daunted by the challenge the groups presented.
“I never saw disabilities or learning difficulties, I only saw people who approached learning in different ways.
I planned my lessons to enable them to achieve at a rate and in a meaningful way to each individual. It was incredibly rewarding but also frustrating in that the current education system doesn’t fully recognise the achievements these young people make.
The lessons I learned from working with groups of this nature have enhanced my life, and the skills I now carry forward are valuable in many situations.”
Many of Sylva’s books are based on stories she created with her young children very much in mind and contributing to the process. I asked how she thought they compared to traditional children’s fiction like Enid Blyton’s “Famous Five” and “Secret Seven” or more recent works like the “Harry Potter” books.
“I grew up as an Enid Blyton fan, I think I read pretty much every one of her books. I do have a few chapter books, aimed at a similar level on the go, but my main focus is producing picture books. My own children loved the rhyming stories by Julia Donaldson, and the repetitive Hairy Maclary books by Lynley Dodd, and I aspire to create stories that will engage children in the same way.
As her children get older she is adapting her style: “I wanted to create the picture books as memories for my girls of the stories we created together, but already they have outgrown them. I have a few middle school chapter books in the works and a young adult book half written. I must say that I do love the picture book style most of all, but maybe that will change as my girls grow.”
Asked when and where she writes, she explains that since taking voluntary redundancy from her teaching job she writes while her girls are in school – and continues:
“Well, that’s always the plan but inspiration seems to come mostly at night, so I often work in the evenings as well. I type ideas on my mobile phone as they come to me so I’m rarely away from writing. I love to ponder story ideas while I’m sat on a log at the campfire.”
Next we talked about the difference between traditional publishing and self-publishing:
“I was offered publishing deals by two small press publishers but I didn’t feel completely happy with either. I’m not sure what it was that held me back, but I decided to publish independently instead, and I’m glad I did as both publishers have since gone out of business.
I did discover a fantastic publisher through my good friend and children’s author Paul Ian Cross. The Little Lights Studio in Vienna has created a bedtime stories app for families, and I’m proud to have been a part of this project from the beginning. I have five stories in the app and I’m in the process of writing five more.
So now I self-publish books but have a modern publisher for online stories – it’s quite a good combination for me.”
Like all the best children’s books hers are prolifically illustrated – by the author:
“I spent a long time trying to find an illustrator to create the pictures I have when I write. I discovered several things – I am very picky about the styles I like, illustrators are justifiably pricey, and I only like the most expensive! Because of this I stalled for a couple of years, unable to afford what I wanted but unwilling to compromise. I then discovered I could create my own illustrations quite by accident. It started just as a bit of fun creating the story characters for my children, but after showing a couple of my writer friends, they gave me the confidence to illustrate my own stories. Cover design is really just an extension of the illustration process so I do that too.”
Editing, however, is something Sylva regards as too important to undertake herself:
“Editing is definitely something I seek support with.
I believe in supporting other authors and have always offered my services as a beta reader and proof reader to anyone who needs it.
Now we have a faithful network of friends who share skills on a pay-it-forward basis. My work is currently being edited by children’s author Millie Slavidou.”
Noting that Sylva’s website has been rather neglected of late, I wondered how much effort she puts into marketing, probably the most difficult aspect of publishing for us independents.
“You are right! I started the blog after advice from experienced author Lesley Hayes, to write every day. She persuaded me to set up the blog and has encouraged me from the start. As soon as I found the way to illustrate and publish my own books, my energies have gone into that, and yes my poor little blog has been neglected. This is something I want to rectify. My next marketing plan is to reinvent the blog and use it as an additional marketing tool.
I think our best marketing tool is interacting within our community. The more we become involved and support one another, the more help we receive with marketing of our own books. You get what you put in.
I particularly enjoy doing live marketing events, reading to children and answering their questions. Young children are my main audience so their feedback is the most valuable.”
When I asked about her reading preferences she produced a long list of independent authors, including some who have, or soon will be, featured in these ‘dates’.
“I love a good psychological thriller, I want to be kept guessing right until the last page. Since I started beta reading for my writer group, I have read around many genres, perhaps ones I wouldn’t have chosen previously but it has been a great experience. Independent authors like Lesley Hayes, Nico Laeser and Val Tobin are current favourites of mine. In expanding my genres I’ve also discovered authors like Susan Faw, Eric Lahti and Melanie Smith. Each has a different style but I have learned so much from each of them. I would love to meet any of my indie author friends, as I feel we have become friends despite never meeting in real life.”
I like to ask my subjects to reveal something about themselves that might surprise their fans – or, in the case of a children’s author, the fans’ parents. Sylva offers three things:
“My debut book Rainbow Monsters won the Chanticleer Little Peeps award for best in category.
Perhaps not surprising given that I own a woodland, but I run a bushcraft and wild camping group when I’m not writing.
I’m a secret geek! I won the US Navy cryptology challenge two years running despite having no prior knowledge of cryptology or related subjects. Russian newspapers speculated that the winners were being recruited into a top-secret government taskforce, and
my local newspaper suggested I might be a spy!
Of course I’m not a spy, I only did the challenge because I enjoy learning new skills and I’m tenacious in pursuing my goals.
I guess I apply this same tenacity and persistence to my writing too. There is no luck in becoming an author, it takes a lot of hard work and a willingness to learn new skills constantly.”